Kazuo Ohno: “On coming off stage I feel much better than before I go on. Before I complain of a backache, or a sore neck, but these all seem to disappear once I step out on stage, it’s like a panacea for all my pains and woes because body and soul move unite and move as one, this bring joy and comfort to the audience and moves them in a meaningful way. In this sense, dance act as a doctor for both performer and spectator. It’s like a cure-all for our ailments. It fully revitalizes me.”
Jerzy Grotowski said that one of the origins of our profession is the “shaman”, that magician-doctor that performs in front of the sick with the goal of healing the body and soul.
It is also a common idea among our profession (performing arts) this healing process during acting or dancing or singing, and it is possible that the cerebral state we reach during our performing involves the liberation of substances related to different processes of self-healing, or at least some kind of sedatives like the body liberates during rituals or trances.
It is interesting that Kazuo Ohno felt the same way just because dancing with the idea of doing it with body and soul united. What it is perhaps more interesting for me is that he says that the result of this union of dancing with body and soul together “brings joy and comfort to the audience and moves them in a meaningful way”. It is where the performer and the doctor-magician mixed together. Here, we find a technique of “projection” on stage in Kazuo’s Butoh, to reach the spectator without thinking on it, -just as the movement coming from the inner impulse-. If we work/dance with our body and soul united then the result will inevitably be healing and touching, to our selves and to the spectators. What else do we want?
Keeping it simple I’ve only worked with the idea of unite body and soul: listening always music in a random way I started from breathing imagining being impulsed to movement, then to walking, then reaching different levels between the sky and the earth. Probably didn’t think more about body and soul, but the initial idea was working in every moment. After some time entered very in contact with my inner lines of movement forgetting probably the breathing part, because now images were taking part of as basic elements of the impulse. Images were sprouting inside and outside the body, following the music, the rhythm of images following the rhythm of the music, until realizing I was doing some kind of free improvisation.
I didn’t have spectators and I didn’t have any ache before starting my training, so I couldn’t say that Kazuo’s technique worked, but I know I felt good, satisfied, and in some way better. I’ll have to wait till that moment I expose myself on stage to the public again, and probably, during my Butoh, I’ll become not only the healer but the healed too. Then Nietzsche, the great, will be brought to live and say: here you are, the poet and the reader united has reborn again.